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Because I have seen such small glory as heaven found Lit translucent in the wing of a dragonfly serene above the dark pond depths Lit gold in the sunlit pelt of that one white cat still beneath the tree Lit in Spring’s faint skeleton of Winter’s fallen leaf Lit in the fractal eternity of each flake that floats snow down and know the pain each angel hears Held in a single seadrop soft splashed on some high rock above the surf Held in that single grain of sand that shapes the sloping beach or curving dune Held in the horizon haze that surrounds my coast Held in that seed on which all life is scribed Held in the single tear squeezed from the duct Held in each word locked behind my pen, know that I shall probably pray that time dreams me more and in that moment thirst for this man’s illusion and that man’s vision for I can no longer sleep to sleep to dream to write of the mountain or of the desert or of the sea, for the world holds no words again
Dirt! We were held between the tangled roots of the tall grasses and the fragrant herbs and, amongst those pale veins that gave them life, teased by the whispering white threads of the mycelia, pushed aside by the harsher muscular cords that gave succour to the bright pomegranate and the fragrant cinnabar, we were stretched and broken as roots grew and gained power yet we held their tubers softly in place and felt the rhizomes spread through our mire. Water fell and we accommodated it briefly as it gave succour to our burden, drained, and left us, dust blown in the winds or muddied clay, sod that found brief form, as the waters gathered and flowed, servant to some greater force, to tumble in rill and stream, to join mighty rivers, seeking their genesis. We were the loam left. An afterthought. Dust! We were the stuff of clay, without form beneath so much life: above us we knew verdant vine, meadowland and forest flourished in the mists as we—slumbering, nascent among their umbilicals, feeding their growth, were diminished by the day’s fierce heat to mere loess, mere powder from dirt’s dust destined for desert or steppe—knew only the mighty winds that reduced our substance until at a dawn the brume returned and held the gusts at bay and we were one, at peace between the green grasses and the purple thyme. Then there came one great exhalation and in that breath power came to our ylem soul.
An interlude is a short piece of writing or acting introduced between parts or acts – initially of miracle or morality plays – or added as a part of surrounding entertainment. When Trystan is published – sometime next year – readers will discover that there are eight interludes that surround and interrupt the main ‘story’ chapters. I will say more about this when the book is published. Meanwhile – between more important posts – here is a poem.
Ashes in a Wilderness
To you, readers, I say I am no writer – these words placed themselves on my page to tell a story
To you, writers, I cry I am no chronicler – these tales spun their web through my mind to make a memory
To you, poets, I sing I am no rhymer – these lines etched their pattern on my paper to form a psalm
To you, who come, I whisper I am no voice – these sounds lift their hymn from the book to sing your future
To discern
our place
To commune
To see
beyond our close shadow of death
To focus
my poet mind
I need direction
a qibla
Or some beads to tell
to take refuge from my life:
A candle flame
Only the candle
Flame
Flickering
A journey into quietude
begins
Into that silence
comes tranquillity
And the absence of words
Serenity beyond words:
I become sentient -
conscious of only this moment in the flame of a grain of sand
Of the sun shining through golden autumn trees Of the clearing mists dissolving in the valley and above the hills giving way to rain that fills the sky so that the branches droop, dripping as the wind rustles the upper boughs and drops spatter on the window glass. Of love
Peace
Perhaps, now, I am no longer physical
But have become a spiritual being
having a human experience
Writing
And in the writing
the words return
Originally published in Mostly Welsh (Y Lolfa 2019, pp.51-52)
Notes
Moliere: “Without knowledge life is no more than a shadow of death”
qibla: Spiritual direction (the direction of Mecca)
Zen Master, Hung Chih, writes of serene reflection in which one forgets all words and realizes – is aware only of – Essence.
c.f. Blake: Auguries of Innocence: “To see a World in a Grain of Sand…”
“We are not human beings having a spiritual experience, but…” Generally attributed to Pierre Teilhard de Chardin, SJ, a French idealist philosopher and Jesuit priest
There are about a dozen poems quoted in The Dark Trilogy that are not published in Mostly Welsh. Here is one of them!
The Interface
Books make visible the writer’s soul Which bleeds its angst by pen: Spread thin across life’s whited bowl A thin red stain of madeleine
Books may offer us an author’s eye That ensnares the reader within its brail Or should writers light the reader’s sky And tear apart the shadowy veil?
Books will hold the writer’s thought And bridge the gap twixt pen and readers A mystic link so carefully wrought To blazon unicorns among the cedars
The writer’s flame burns bright with drama As ashes from a tortured mind combust For in the writing there must be karma: Finding peace in a little heap of livid dust
With thanks to Proust, Baudelaire, Auden and di Lampedusa